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Chennai 3: the Senate summit of Indo-Saracenic

26/2/2019

The Chennai Photo Biennale is underway - a tremendous and wonderfully curated series of exhibitions and events. If you are anywhere near, don't miss it!

More than twenty venues across the city have been brought into service - from galleries to train stations to some of the city's most historic buildings, including the Madras Literary Society, and the building you can see above, the Senate House of the University of Madras.

And I owe the Biennale a huge debt - for the first time I have been able to enter the Senate House which is even more overwhelming and remarkable inside than from the outside.

The Senate House was built in the 1870s and completed exactly 140 years ago. It's an outstanding example of the Indo-Saracenic style which draws on Mughal design and is itself an expression of British Indian cultural confidence at the high watermark of Empire.

One of the earliest buildings in the Indo-Saracenic style was Chepauk Palace nearby, built in the mid-eighteenth century. And you could argue that the buildings at the heart of the Indian government, North Block and South Block in Delhi, which were built from 1912 when the capital was moved from Calcutta, are among the last examples of this trend in architecture.

But nothing quite prepares you for stepping inside Senate House.

The building was designed by Robert Chisholm - one of the key figures in Indo-Saracenic design, particularly in Madras/Chennai. The Times of India has recently published an article lamenting its poor upkeep and gross under utiliisation, and suggesting that the substantial amount of money allocated in recent years to restoration has not been well spent.

But as far as I could see, the building is in decent condition - and a glorious space for a photography festival. The stained glass and the many aspects of Mughal-influenced design - the arches, the shape of the windows, the jallis, much of the fine detail - along with the vast size of the interior make it among the most memorable buildings I have visited.

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Chennai 3: Dosas at dawn

24/2/2019

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If anything typifies Tamil cuisine it's the dosa - a pancake made from fermented batter. Rice and black gram are traditionally the main ingredients of the batter. In dosa joints in London, the dosa is usually crisp and outsize, and wrapped around aloo (potato) masala - that's the famous masala dosa.

In Chennai, more often the dosa isn't crisp but soft, a little like an appam from neighbouring Kerala. It's eaten above all at breakfast time with coconut chutney, often homemade, and sambar, a lentil-based curried vegetable dish, a bit like a spicy vegetable stew. And yes - it's good!

On the Madras Inherited heritage walk I've just been on around Royapettah in downtown Chennai, we all were invited in to a suite of old houses - only to discover this elderly woman cheerfully cooking dosas. Lots of them! It was barely seven in the morning and she was presiding over quite a production line - as you can see ...

Three houses here shared a courtyard and at first I imagined that she was cooking dosas for everyone in these households. But just after I finished filming, a man came to collect all the cooked dosas in the container by the door - I guess there were twenty or more of them - to take them, as far as I could gather, to a local tea stall for sale as a freshly-cooked breakfast.

The cooking of dosas didn't halt - I reckon this woman could easily make fifty in an hour. They sell for 10 rupees each - that's a little more than ten pence. So this is quite a cottage industry.

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Chennai 3: Art Deco in Royapettah

24/2/2019

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Up early this morning for a heritage walk round Royapettah, an inner-city district of Chennai. Royapettah means the district of the rulers. There's still a palace here - the Amir Mahal, the home of the Prince of Arcot (I hope to be blogging about that later) - but the garden houses, the palatial bungalows in their own grounds, which once distinguished the area are now long gone.

In their place, just under a century ago, came up smart vernacular housing using the new building material of cement plaster and often gently influenced by Art Deco. Many of these too have gone, and those that survive are sometimes in poor repair, but there are some real treasures still to be seen.

This is one of the more imposing examples - a corner house with columns, balustrades and parapets, and incorporating a lovely sunrise motif in the jallis, the latticed plaster work.

Here's another corner building, fronting Pycrofts Road (many of the main roads in central Chennai still retain the name of the British colonialist or trader who once lived nearby). It's called the Summer House, though no one's quite sure why. And it bears some of the traits of Art Deco, not least the narrow vertical windows.

Alongside the light imprint of Art Deco are buildings of a similar vintage which are part of quite different architectural traditions. Some show a hint of the gothic ...

... while others are just altogether crazy!

Swami's Summit, it seems - and the property owner happened to be on the walk, so we have this on good authority - was visited by Gandhi. Which prompted the construction of a peak above the summit (not sure that makes sense terminologically, but then not much about this building does).

And a big shout out to our guide, Tahaer Zoyab of the pathbreaking heritage initiative Madras Inherited, whose architectural expertise made the morning so memorable. We had the good fortune to be able to go, impromptu, inside a few of the houses ... what a wonderful city Chennai is!

And the walk was part of the admirable India Heritage Walk Festival,

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Chennai 3: painting Stalin (he's on the left!)

20/2/2019

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Elections are just around the corner here - so it's the season for outsize political wall paintings, one of my favourite aspects of Indian politics. I came across one such work in the throes of composition in the back streets of Chennai.

It's good to see that some parties are sticking with the more expensive and time-consuming paintings, rather than just making do with posters ...

... which as you can see don't have anything like as much scale or impact.

This wall had been marked out for the DMK, the main opposition party in the Indian state of Tamil Nadu, which (helped a little by its alliance with Congress) is expected to do well when voting is held, probably in April and May.

When I suggested to the artist that his mural was in preparation for the coming elections, he got quite defensive: "no, not for elections", he insisted. Then the penny dropped!

India's powerful Election Commission places strict prohibitions on campaign wall paintings and all sorts of other once-standard election practices. But the dates of the general election have not yet been announced. So I suppose that the DMK hopes that this spot of street art will be seen as normal business rather than part of the election campaign. Hmm ...

The wall painting is of Stalin, the new leader of the DMK, and his late father, M. Karunanidhi, who was the longstanding party patriarch and spent in total the best part of twenty years as chief minister of Tamil Nadu.

Yes, I did say Stalin ... no, people here don't think it's at all strange ... well, this Stalin was born four days before the other Stalin died and was named after a leader who was widely admired in India at that time ... so, in South India, it's the given name rather than the inherited name which people go by ... his full name is Muthuvel Karunanidhi Stalin, which you have to admit is a bit of a mouth full ... and yes I guess it could be seen as remarkable for a man called Stalin to come to power in the 21st century, but not in Chennai where he is probably the most popular political figure out.

I'm glad we've got that all sorted!

Stalin ...

... and his father

When I again passed by the mural half-an-hour later, a bunch of local DMK heavyweights had come round to inspect the work, and to instruct the artist which other party figures should feature.

They brought round a likeness of a DMK former mayor of Chennai, M. Subramaniam, to ensure that the painter could manage to make him recognisable,

And then, of course, they all posed for a photo.

Later: my photo makes the Guardian

Every day the Guardian publishes a reader's photo on the letters page - and from time-to-time I've submitted photos, but without success. But now the photo at the top of this blog has been published in the paper - result!

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Chennai 3: the book store that everyone forgot

19/2/2019

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In India's institutional areas, you sometimes come across institutions which have been allotted land and have constructed buildings but then have forgotten their purpose ... and have been forgotten by all around them. They crumble away back into the jungle, which is always eager to reclaim what it has lost.

The is the book store - as in a warehouse not a shop - of the Sahitya Akademi in the Taramani district of Chennai. The Akademi is run by the Indian government's ministry of culture and specialises in making available books and translations in Indian languages.

Three years ago a newspaper reported that this building was in a parlous state. Since then it's gone from bad to worse. And through the broken windows, you can see huge piles of literature slowly, or perhaps not so slowly, mouldering away.

The doors are firmly padlocked and the store is without that standard accoutrement of even the most desolate of buildings, a chowkidar or watchman to keep the curious and ill-disposed at bay.

The only living creature nearby was this rather marvellous cow (or perhaps it's a bull, I didn't get too near) which - to judge by its pendant and gold-painted horns - is clearly somebody's pride and joy.

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Chennai 3: my first photo walk

17/2/2019

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I went out today on my first photo walk, organised by the Chennai Photowalk group on Facebook . We took an early morning stroll through Perambur in the north of the city. The meeting point was a huge Catholic church, Our Lady of Lourdes, and I suspect this woman was lighting a candle to beseech deliverance from the paparazzi all around her.

About thirty or so camera-laden Chennai-ites turned up. The group has an outing of this sort every two weeks.

This morning was a wonderful chance to capture the city as it starts to get into gear for the day.

This is Susannah - she had popped down to her local tea stall to get some idli to take home for breakfast. I'd never seen idli prepared before - but there were about as fresh as it's possible to be.

Nearby, two women were painting kolam outside their home - an abstract or geometrical decoration which is believed to bring prosperity. As with everyone else I came across this morning, they were only too pleased to be photographed.

And in Murasoli Maran park youngsters were being trained in an Indian martial art - all about how to twirl and strike with a stout bamboo cane,

A big thank you to the Photowalk group for making me so welcome!

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Chennai 3: Bessie's Beach

16/2/2019

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Elliot's beach is perhaps the nicest of Chennai urban beaches. It's cleaner and less crowded than Marina beach. It's a place where youngsters like to hang out - and it has all the food stalls, coffee bars and cafes that go along with that. And while it's formally named after Edward Elliot - a onetime colonial administrator and police superintendent - it's better known as Bessie's beach.

That's because the beach is adjacent to the Besant Nagar district - in turn named after the redoubtable Annie Besant, variously a radical, freethinker, Indian nationalist and Theosophist and an altogether good thing. Quite nice that the name of the place has been subverted from commemorating an old colonialist to a Brit who delighted in disturbing the Imperial order.

This is also a working beach with a sizable fishing community. It was late afternoon when I was there, with that marvellous end-of-day natural light. The last of the boats were coming in, most of the catch had been taken away, and the fishermen were cleaning their nets and disgorging all the crabs and small fish that got caught up in the mesh.

There were then either discarded on the beach or - if saleable - put in the bottom of the boat, where some of the crabs in particular looked disconcertingly human.

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Chennai 3: Star Talkies

13/2/2019

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This was once one of Chennai's most popular cinemas, As you can see, it's now derelict and awaiting demolition.

Star Talkies is on Triplicane High Road - an area where traditionally Urdu rather than Tamil is the main language. It opened in 1916 as Cinema Popular and became Star Talkies twenty years later. The last movie was screened here in 2012, and the building is now slowly crumbling away.

When new Bollywood movies were released, this was the Chennai cinema which screened them first. It got a reputation as the place to go in the city for Hindi films. While other cinema halls were showing the Tamil blockbusters, Star Talkies focussed on non-Tamil films.

While I was taking these photos, a passer-by stopped to remark how he used to watch movies here. 'It's been killed by the internet', he said. 'More than thirty cinema halls across Chennai have closed because of the internet.'

Star Talkies was also famous for having what amounted to a zenana, a women-only seating area where local Muslim women would feel comfortable watching a movie.

I was talking to an elderly Chennai movie enthusiast who told me that she and a group of ladies from the fashionable part of town would often go to Star Talkies to see the new Bollywood releases. And when there were no general tickets available, they would get seats in the women-only area and watch as women came in wearing a burka, then removed it to watch the film, and put it back on before leaving.

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Chennai 3: all on board the Chennai Metro

12/2/2019

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No, not rush hour. It was 8 o'clock this evening when I took this picture. The Chennai Metro is still shiny new - and so much more expensive than the buses and commuter trains that it's not all that widely used. But a couple of days ago, a new branch was opened. The prime minister, Narendra Modi, came to inaugurate it. And to mark this extension of the Metro network, travel is - for the moment - free.

On Sunday afternoon, not all that many people knew about the free travel and so the trains were busy but not rammed. By this evening, the whole of Chennai seemed to be joyriding up and down the line. And why not!

This was the scene at Teynampet metro station just now -

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Chennai 3: munching along Mint Street

12/2/2019

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I took a stroll down Mint Street at the weekend, a narrow, congested, thoroughfare which happens - at four kilometres - to be the longest street in Chennai. Its southern end lies in Georgetown - known earlier as Black Town. And it remains home to communities which are incomers to Chennai, though now established here for generations: Gujaratis, Jains and Telugu-speakers in particular.

This was a walk with a difference - an organised culinary tour round the eating places of Mint Street, With camera in hand, I had: lassi, see an earlier post; paan; aloo tikki; kulfi; jalebi ... and a lot more, including freshly-pressed sugar cane juice -

It's a lively place - and while many of the original buildings have gone, it still has an array of fine and colourful buildings, as well as wonderful street traders and businesses which point to aspects of the city's history..

And here's our host and guide on the Mint Street walk, the excellent Sriram V of Chennai Past Forward:

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Andrew Whitehead's
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Chennai 3: the Senate summit of Indo-Saracenic

Chennai 3: Dosas at dawn

Chennai 3: Art Deco in Royapettah

Chennai 3: painting Stalin (he's on the left!)

Later: my photo makes the Guardian

Chennai 3: the book store that everyone forgot

Chennai 3: my first photo walk

Chennai 3: Bessie's Beach

Chennai 3: Star Talkies

Chennai 3: all on board the Chennai Metro

Chennai 3: munching along Mint Street

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