ANDREW WHITEHEAD
  • Home
  • Blog
  • Enthusiasms
    • London Fictions >
      • Alexander Baron
      • A walk round Baron's manor
      • John Sommerfield >
        • John Sommerfield Archive
        • John Sommerfield's Spanish notebook
        • John Sommerfield, 'More Room for Us'
        • The artist Molly Moss by Catherine Layton
      • Lynne Reid Banks
      • "Against the Tyranny of Kings and Princes": radicalism in George Gissing's 'Workers in the Dawn'
      • 'Beyond Boundary Passage'
      • 'London' by Dorf Bonarjee
    • A Mission in Kashmir >
      • Full text: A Mission in Kashmir
      • 'The People's Militia: Communists and Kashmiri nationalism in the 1940s'
      • The Rise and Fall of New Kashmir
      • The Making of the 'New Kashmir' manifesto
      • 'For the Conversion of Kashmir'
      • 'I shall paint my nails with the blood of those that covet me'
      • Freda Bedi looking 'From a Woman's Window' on Kashmir
      • Kashmir 1947: Testimonies of a Contested History
      • Kashmir @ 70
      • Kashmir 47 Images
      • Kashmir 47 on film
      • Kashmir 47 in fiction
      • Father Shanks's Kashmir 'Diary'
      • Krishna Misri: 1947, a year of change
      • Shanti Ambardar: Kashmir 1947
    • Freda Bedi
    • The O'Brienites >
      • Martin Boon
      • Dan Chatterton
      • George E. Harris
      • John Radford and the Kansas colony
      • James Finlen
      • Edward Truelove
      • 'New World'
    • Clerkenwell >
      • Popular Politics and Social Structure in Clerkenwell >
        • The Residents of Clerkenwell
        • The Occupational Structure of Clerkenwell
        • Clerkenwell and Reform
        • Fenians, Reformers and the Clerkenwell "Outrage"
        • Clerkenwell: Socialism Finds a Niche
        • Clerkenwell: Not Forgetting the Anarchists
      • Red London: radicals and socialists in late-Victorian Clerkenwell
      • Patriotic Club
    • NW5 and Around >
      • George Jones, Hornsey Communist
  • Voices
    • Partition Voices >
      • Partition Voices: L.K. Advani
      • Partition Voices: Ram Advani
      • Partition Voices: Qazi Ghulam Ajmiri
      • Partition Voices: Angela Aranha
      • Partition Voices: Helen Baldwin
      • Partition Voices: Bali family
      • Partition Voices: Edward Behr
      • Partition Voices: Benazir Bhutto
      • Partition Voices: H.K. Burki
      • Partition Voices: Sailen Chatterjee
      • Partition Voices: Pran Chopra
      • Partition Voices: K.S. + Ayesha Duggal
      • Partition Voices: Alys Faiz
      • Partition Voices: Jugal Chandra Ghosh
      • Partition Voices: Ashoka Gupta
      • Partition Voices: I.K. Gujral
      • Partition Voices: Syed Najmuddin Hashim
      • Partition Voices: Khorshed Italia
      • Partition Voices: Pran Nath Jalali
      • Partition Voices: D.N. Kaul
      • Partition Voices: Jolly Mohan Kaul
      • Partition Voices: Basant Kaur
      • Partition Voices: Betty Keyes
      • Partition Voices: Sardar Abdul Qayyum Khan
      • Partition Voices: Usha Khanna
      • Partition Voices: Frank Leeson
      • Partition Voices: Abdul Ghani Lone
      • Partition Voices: Gopal 'Patha' Mukherjee
      • Partition Voices: Kuldip Nayar
      • Partition Voices: Amrita Pritam
      • Partition Voices: Begum Aizaz Rasul
      • Partition Voices: Francis Rath
      • Partition Voices: Annada Sankar Ray
      • Partition Voices: Bhisham Sahni
      • Partition Voices: Sat Paul Sahni
      • Partition Voices: Sir Ian Scott
      • Partition Voices: Sir Paul Scott
      • Partition Voices: Sheila Sengupta
      • Partition Voices: Mahmooda Ahmad Ali Shah + Sajida Zameer Ahmad
      • Partition Voices: Bapsi Sidhwa & Urvashi Butalia
      • Partition Voices: Air Marshal Arjan Singh
      • Partition Voices: Bir Bahadur Singh
      • Partition Voices: Karan Singh
      • Partition Voices: Khushwant Singh
      • Partition Voices: Shingara Singh
      • Partition Voices: H.S. Surjeet
      • Partition Voices: Ben and Marguerite Suter
      • Partition Voices: Leela Thompson
      • Partition Voices: K.B. Vaid
    • Kashmir Voices >
      • Kashmir Voices: Asiya Andrabi
      • Kashmir Voices: Mirwaiz Umar Farooq
      • Kashmir Voices: George Fernandes
      • Kashmir Voices: General J.R. Mukherjee
      • Kashmir Voices: Abdullah Muntazir
      • Kashmir Voices: Ali Mohammad Sagar
      • Kashmir Voices: Syed Salahuddin
    • Communist Voices >
      • Communist Voices: Manmohan Adhikari
      • Communist Voices: Jyoti Basu
      • Communist Voices: Brian Bunting
      • Communist Voices: Guillermo Cabrera Infante
      • Communist Voices: Benoy Choudhury
      • Communist Voices: Anima Dasgupta
      • Communist Voices: Sailen Dasgupta
      • Communist Voices: Denis Goldberg
      • Communist Voices: Grootvlie miners
      • Communist Voices: Indrajit Gupta
      • Communist Voices: Chris Hani
      • Communist Voices: Norman Le Brocq
      • Communist Voices: Lionel Martin
      • Communist Voices: Vishwanath Mathur
      • Communist Voices: Geeta Mukherjee
      • Communist Voices: E.M.S. Namboodiripad
      • Communist Voices: John Rettie
    • Political Voices >
      • Political Voices: Sally Alexander
      • Political Voices: Lou Appleton
      • Political Voices: Murray Bookchin
      • Political Voices: Fenner Brockway
      • Political Voices: Tony Cliff
      • Political Voices: Nellie Dick
      • Political Voices: Leah Feldman
      • Political Voices: Jeffrey Hamm
      • Political Voices: Denis Healey
      • Political Voices: Eric Hobsbawm
      • Political Voices: Rose Kerrigan
      • Political Voices: George Matthews
      • Political Voices: Ian Mikardo
      • Political Voices: Mick Mindel
      • Political Voices: Adrian Mitchell
      • Political Voices: Phil Piratin
      • Political Voices: Betty Reid
      • Political Voices: Fermin Rocker
      • Political Voices: Ralph Russell
      • Political Voices: Sam Russell
      • Political Voices: John Saville
      • Political Voices: Alfred Sherman
      • Political Voices: Screaming Lord Sutch
      • Political Voices: Dorothy Thompson
      • Political Voices: E.P. Thompson
      • Political Voices: Tom Wilson
      • Political Voices: Harry Young
      • The Land Song
      • Harry Pollitt on disc
    • The British New Left >
      • New Left: Neal Ascherson
      • New Left: T.J. Clark
      • New Left: Catherine Hall
      • New Left: Jean McCrindle
      • New Left: Chuck Taylor
      • New Left: Headopoly
    • South Asia
    • Burma
  • Collecting
    • Political Pamphlets
    • Political Journals
    • Political Badges
    • Political Tokens
    • Political Ephemera
  • Radio Gems
    • 'What's Left of Communism?'
    • 'India: a people partitioned'
    • India's Minorities
    • Documentaries and Features
    • From Our Own Correspondent >
      • FOOC: Working at Westminster 1990
      • FOOC: Ulster's Talking Shop 1991
      • FOOC: House Rules at Westminster 1992
      • FOOC: India's Red Fort State
      • FOOC: Keeping Kosher in Cuba
      • FOOC: Italy's Gourmand Communists 1992
      • FOOC: Scoundrel Politicians - 1993
      • FOOC: Kashmir's New Puritans 1993
      • FOOC: The Rajah of Bihar 1993
      • FOOC: Bringing the Gospel to Mizoram 1993
      • FOOC: Netaji, India's Lost Leader 1994
      • FOOC: A Self-Respect Wedding 1994
      • FOOC: The Miseries of Manipur 1994
      • FOOC: Village Bangladesh 1994
      • FOOC: Indian Beauty 1995
      • FOOC: Calcutta's Communists Discover Capitalism 1995
      • FOOC: Localism in Ladakh 1995
      • FOOC: Bhutan, not quite Paradise
      • FOOC: Crime and Indian Politics 1995
      • FOOC: Sonia Gandhi 1995
      • FOOC: Sri Lanka's Missing Leaders 1995
      • FOOC: India Votes 1996
      • FOOC: Communism Revisited 1996
      • FOOC: Nusrat Fateh Ali Khan 1996
      • FOOC: Kerala's Jewish Community 1996
      • FOOC: India's Corruption Scandals 1996
      • FOOC: The Maldives Crowded Capital 1996
      • FOOC: India's Polluted Capital 1996
      • FOOC: Jinnah, Pakistan's Quaid 1997
      • FOOC: Mauritius, an Indian Ocean melting pot
      • FOOC: The Hijras Blessing 1998
      • FOOC: Massacre at Baramulla 2003
      • FOOC: An Old Photo from Kashmir 2007
      • FOOC: Prosperity Driven from Detroit 2008
      • FOOC: An Atheist in MLK's Atlanta2013
      • FOOC: San Francisco's City Lights 2014
      • FOOC: Kashmir Revisited 2014
      • FOOC: By Ferry in Burma 2014
      • FOOC: Toyah's Grave 2017
      • FOOC: The Tibetan Colony in Kashmir 2017
      • FOOC: Stars of Tamil Politics 2018
      • FOOC: Koreans in Chennai 2018
      • FOOC: Epitaph to Empire 2019
      • FOOC: Armenians in India 2019
      • FOOC: Lahore's Bradlaugh Hall 2020
      • FOOC: Chennai and the British Empire 2023
    • What's your favourite political song?
    • London Snapshots
  • Writing
    • Bibliography
    • Tramping Artisans
    • Working Class Housing in Jericho, Oxford
    • New Statesman
    • The Freethinker
    • Outlook
    • Asian Age
    • Indian Express
    • Fresh Garbage
    • miscellaneous writing
    • David Goodway contact and writings >
      • Goodway Libertarian Politics of G.K. Chesterton
  • Gallery
  • Contact


Lynne Reid Banks

Lynne Reid Banks and the writing of The L-Shaped Room
​

Picture
Lynne Reid Banks (born in 1929) wrote one of the most marvellous of London novels, The L-Shaped Room - published in 1960. It was the story of a young, pregnant woman who takes refuge in a run-down boarding house in Fulham (the film adaptation moved the setting to Notting Hill).

On 20th April 2000 I interviewed Lynne Reid Banks about the writing of The L-Shaped Room, and I have transcribed below her remarks:


Lynne Reid Banks  talking to Andrew Whitehead on 20th April 2000, mainly about the writing of The L-Shaped Room
 
Q: When you wrote The L-Shaped Room, when you wrote about that then rather down-at-heel part of Fulham, did you have a particular house, a particular street, in mind? 

No it wasn’t quite as specific as that. I did see the room. I was looking for a room for a friend, and I was living in Sheffield Terrace at the time which was quite grand, in its own way. And I certainly had never lived in those sort of quarters, but somebody I knew needed somewhere and I was looking – around Chepstow Villas, that sort of area, not Fulham. And there was this very tall house, and we went up these stairs, and it got gradually worse and worse as we went up. I think it was an Indian house, It was all very decorated, very embellished. Until you got to round the third floor, and that was where the rooms were for rent. And right at the very top was this room with two – this space which had been a square attic space with two doors, and one of them led intoa small square room, and the other led into this room round the side. They’d made two rooms out of one space. And the inner room, didn’t have a window. And the L-shaped room did, but it was very cramped and very squalid. And I decided after one quick look round the bend that this would not do and I retreated. But it imprinted itself on my memory. And I must say I thought there was something quite romantic about it.
... I can scarcely imagine living it. But it’s the place you could scarcely imagine that your imagination wants to get to grips with. And I did want to know how it would be to live in it as it was so much different from everywhere else I’d ever lived, except possibly theatrical digs, which could be fairly down market at that time.

Q: The L-shaped room that triggered off your imagination wasn’t even in Fulham.

No it wasn’t.

Q: So why did you move the setting to Fulham?

I don’t know. It wasn’t really fair of me I suppose, I just had a mental image of Fulham as being full of those kind of houses. I passed through Fulham many times. I suppose in those days it was – it’s all been very gentrified now, but in the ‘50s it was a very down-at-heel area and it seemed a suitable localel for the house.

Q: You paint not only a rather grim, forbidding picture of the room – at least as it’s presented in the book – but also of the house, and of the street, and of the newsagent, and of the entire locality. You’ve got a downer on Fulham

Well, that was very probably very unfair of me. At one time – one time – for one night actually, when I was living at home, years before, I had a terrible quarrel with my mother, and I actually ran away from home. I wasn’t a child. I was a grown up woman in my early twenties. And I packed a bag and I ran away and I went to Fulham and I spent a night – which I can’t remember very well, I was in a highly emotional state – in a boarding house in Fulham. And it was much too much for me. I was back home the next day. But walking through those streets looking for a place to live, and probably getting it from a newsagent’s window, must have impressed itself. I remember it was pouring with rain and I was very miserable, I thought that’s it and I’ll go away and live in the most squalid, horrible place I can find. And I don’t know who I thought I was punishing but that was my idea of ... running away from home, doing it right. But  of course it didn’t take, and I high-tailed it home the next day, but of course that was what I remembered of Fulham, at that time.

Q: Although the Fulham that you present is distinctly down-at-heel, grubby really ...

Grotty is the word I think.

Q: ... there is still an affection about the way you portray the area and the city, as well as the characters.

Well, I’m not very good at living with characters that I invent that I don’t like. I have to see something attractive about them in order to want to explore them and live them for the period you are writing the book, which can be anything up to a year and a half, two years. Which it was in this case. So of course I would have an affection for them and everybody in the house, from the prostitutes in the basement to the Jewish writer that – laid it on rather thick – landlady and all that. I had indeed a great affection for them and they became extremely real to me, so much so that when the film was made I was quite upset about the changes that the film producer decided to make to make the film the kind of film he wanted. Not that the characters were less interesting in the film, perhaps even more – he laid it on with a thicker trowel – but I felt them so real in my imagination that I didn’t like them being altered.

Q: The book was remarkable forty years ago because it followed the story of a woman who was pregnant outside marriage, it’s a very sympathetic account of her experiences –

Yes

Q: ... but it’s also pioneering in other ways, for example one of the central characters, again very sympathetically portrayed, is black. There weren’t many novels at that time ... that had a black character as a central character.

Yes. You’re probably going to ask me if I knew any black people at that time and the frank truth is that I didn’t. And I am somewhat embarrassed now by my treatment of this black character. I think I made him rather more primitive in his speech, and in other ways, than I would dream of doing today. I think there’s something almost racist in my – well, I hope not I’m very fond of him and as a matter of  fact I thought his character was one of the best in the film, because it stuck most closely to my conception of him. But there are certain aspects of the book now, in my treatment of him, that embarrass me. I think it was very much a period piece.
...

 
[ENDS]
  

Picture
Cover design: Una Bishop
Proudly powered by Weebly
  • Home
  • Blog
  • Enthusiasms
    • London Fictions >
      • Alexander Baron
      • A walk round Baron's manor
      • John Sommerfield >
        • John Sommerfield Archive
        • John Sommerfield's Spanish notebook
        • John Sommerfield, 'More Room for Us'
        • The artist Molly Moss by Catherine Layton
      • Lynne Reid Banks
      • "Against the Tyranny of Kings and Princes": radicalism in George Gissing's 'Workers in the Dawn'
      • 'Beyond Boundary Passage'
      • 'London' by Dorf Bonarjee
    • A Mission in Kashmir >
      • Full text: A Mission in Kashmir
      • 'The People's Militia: Communists and Kashmiri nationalism in the 1940s'
      • The Rise and Fall of New Kashmir
      • The Making of the 'New Kashmir' manifesto
      • 'For the Conversion of Kashmir'
      • 'I shall paint my nails with the blood of those that covet me'
      • Freda Bedi looking 'From a Woman's Window' on Kashmir
      • Kashmir 1947: Testimonies of a Contested History
      • Kashmir @ 70
      • Kashmir 47 Images
      • Kashmir 47 on film
      • Kashmir 47 in fiction
      • Father Shanks's Kashmir 'Diary'
      • Krishna Misri: 1947, a year of change
      • Shanti Ambardar: Kashmir 1947
    • Freda Bedi
    • The O'Brienites >
      • Martin Boon
      • Dan Chatterton
      • George E. Harris
      • John Radford and the Kansas colony
      • James Finlen
      • Edward Truelove
      • 'New World'
    • Clerkenwell >
      • Popular Politics and Social Structure in Clerkenwell >
        • The Residents of Clerkenwell
        • The Occupational Structure of Clerkenwell
        • Clerkenwell and Reform
        • Fenians, Reformers and the Clerkenwell "Outrage"
        • Clerkenwell: Socialism Finds a Niche
        • Clerkenwell: Not Forgetting the Anarchists
      • Red London: radicals and socialists in late-Victorian Clerkenwell
      • Patriotic Club
    • NW5 and Around >
      • George Jones, Hornsey Communist
  • Voices
    • Partition Voices >
      • Partition Voices: L.K. Advani
      • Partition Voices: Ram Advani
      • Partition Voices: Qazi Ghulam Ajmiri
      • Partition Voices: Angela Aranha
      • Partition Voices: Helen Baldwin
      • Partition Voices: Bali family
      • Partition Voices: Edward Behr
      • Partition Voices: Benazir Bhutto
      • Partition Voices: H.K. Burki
      • Partition Voices: Sailen Chatterjee
      • Partition Voices: Pran Chopra
      • Partition Voices: K.S. + Ayesha Duggal
      • Partition Voices: Alys Faiz
      • Partition Voices: Jugal Chandra Ghosh
      • Partition Voices: Ashoka Gupta
      • Partition Voices: I.K. Gujral
      • Partition Voices: Syed Najmuddin Hashim
      • Partition Voices: Khorshed Italia
      • Partition Voices: Pran Nath Jalali
      • Partition Voices: D.N. Kaul
      • Partition Voices: Jolly Mohan Kaul
      • Partition Voices: Basant Kaur
      • Partition Voices: Betty Keyes
      • Partition Voices: Sardar Abdul Qayyum Khan
      • Partition Voices: Usha Khanna
      • Partition Voices: Frank Leeson
      • Partition Voices: Abdul Ghani Lone
      • Partition Voices: Gopal 'Patha' Mukherjee
      • Partition Voices: Kuldip Nayar
      • Partition Voices: Amrita Pritam
      • Partition Voices: Begum Aizaz Rasul
      • Partition Voices: Francis Rath
      • Partition Voices: Annada Sankar Ray
      • Partition Voices: Bhisham Sahni
      • Partition Voices: Sat Paul Sahni
      • Partition Voices: Sir Ian Scott
      • Partition Voices: Sir Paul Scott
      • Partition Voices: Sheila Sengupta
      • Partition Voices: Mahmooda Ahmad Ali Shah + Sajida Zameer Ahmad
      • Partition Voices: Bapsi Sidhwa & Urvashi Butalia
      • Partition Voices: Air Marshal Arjan Singh
      • Partition Voices: Bir Bahadur Singh
      • Partition Voices: Karan Singh
      • Partition Voices: Khushwant Singh
      • Partition Voices: Shingara Singh
      • Partition Voices: H.S. Surjeet
      • Partition Voices: Ben and Marguerite Suter
      • Partition Voices: Leela Thompson
      • Partition Voices: K.B. Vaid
    • Kashmir Voices >
      • Kashmir Voices: Asiya Andrabi
      • Kashmir Voices: Mirwaiz Umar Farooq
      • Kashmir Voices: George Fernandes
      • Kashmir Voices: General J.R. Mukherjee
      • Kashmir Voices: Abdullah Muntazir
      • Kashmir Voices: Ali Mohammad Sagar
      • Kashmir Voices: Syed Salahuddin
    • Communist Voices >
      • Communist Voices: Manmohan Adhikari
      • Communist Voices: Jyoti Basu
      • Communist Voices: Brian Bunting
      • Communist Voices: Guillermo Cabrera Infante
      • Communist Voices: Benoy Choudhury
      • Communist Voices: Anima Dasgupta
      • Communist Voices: Sailen Dasgupta
      • Communist Voices: Denis Goldberg
      • Communist Voices: Grootvlie miners
      • Communist Voices: Indrajit Gupta
      • Communist Voices: Chris Hani
      • Communist Voices: Norman Le Brocq
      • Communist Voices: Lionel Martin
      • Communist Voices: Vishwanath Mathur
      • Communist Voices: Geeta Mukherjee
      • Communist Voices: E.M.S. Namboodiripad
      • Communist Voices: John Rettie
    • Political Voices >
      • Political Voices: Sally Alexander
      • Political Voices: Lou Appleton
      • Political Voices: Murray Bookchin
      • Political Voices: Fenner Brockway
      • Political Voices: Tony Cliff
      • Political Voices: Nellie Dick
      • Political Voices: Leah Feldman
      • Political Voices: Jeffrey Hamm
      • Political Voices: Denis Healey
      • Political Voices: Eric Hobsbawm
      • Political Voices: Rose Kerrigan
      • Political Voices: George Matthews
      • Political Voices: Ian Mikardo
      • Political Voices: Mick Mindel
      • Political Voices: Adrian Mitchell
      • Political Voices: Phil Piratin
      • Political Voices: Betty Reid
      • Political Voices: Fermin Rocker
      • Political Voices: Ralph Russell
      • Political Voices: Sam Russell
      • Political Voices: John Saville
      • Political Voices: Alfred Sherman
      • Political Voices: Screaming Lord Sutch
      • Political Voices: Dorothy Thompson
      • Political Voices: E.P. Thompson
      • Political Voices: Tom Wilson
      • Political Voices: Harry Young
      • The Land Song
      • Harry Pollitt on disc
    • The British New Left >
      • New Left: Neal Ascherson
      • New Left: T.J. Clark
      • New Left: Catherine Hall
      • New Left: Jean McCrindle
      • New Left: Chuck Taylor
      • New Left: Headopoly
    • South Asia
    • Burma
  • Collecting
    • Political Pamphlets
    • Political Journals
    • Political Badges
    • Political Tokens
    • Political Ephemera
  • Radio Gems
    • 'What's Left of Communism?'
    • 'India: a people partitioned'
    • India's Minorities
    • Documentaries and Features
    • From Our Own Correspondent >
      • FOOC: Working at Westminster 1990
      • FOOC: Ulster's Talking Shop 1991
      • FOOC: House Rules at Westminster 1992
      • FOOC: India's Red Fort State
      • FOOC: Keeping Kosher in Cuba
      • FOOC: Italy's Gourmand Communists 1992
      • FOOC: Scoundrel Politicians - 1993
      • FOOC: Kashmir's New Puritans 1993
      • FOOC: The Rajah of Bihar 1993
      • FOOC: Bringing the Gospel to Mizoram 1993
      • FOOC: Netaji, India's Lost Leader 1994
      • FOOC: A Self-Respect Wedding 1994
      • FOOC: The Miseries of Manipur 1994
      • FOOC: Village Bangladesh 1994
      • FOOC: Indian Beauty 1995
      • FOOC: Calcutta's Communists Discover Capitalism 1995
      • FOOC: Localism in Ladakh 1995
      • FOOC: Bhutan, not quite Paradise
      • FOOC: Crime and Indian Politics 1995
      • FOOC: Sonia Gandhi 1995
      • FOOC: Sri Lanka's Missing Leaders 1995
      • FOOC: India Votes 1996
      • FOOC: Communism Revisited 1996
      • FOOC: Nusrat Fateh Ali Khan 1996
      • FOOC: Kerala's Jewish Community 1996
      • FOOC: India's Corruption Scandals 1996
      • FOOC: The Maldives Crowded Capital 1996
      • FOOC: India's Polluted Capital 1996
      • FOOC: Jinnah, Pakistan's Quaid 1997
      • FOOC: Mauritius, an Indian Ocean melting pot
      • FOOC: The Hijras Blessing 1998
      • FOOC: Massacre at Baramulla 2003
      • FOOC: An Old Photo from Kashmir 2007
      • FOOC: Prosperity Driven from Detroit 2008
      • FOOC: An Atheist in MLK's Atlanta2013
      • FOOC: San Francisco's City Lights 2014
      • FOOC: Kashmir Revisited 2014
      • FOOC: By Ferry in Burma 2014
      • FOOC: Toyah's Grave 2017
      • FOOC: The Tibetan Colony in Kashmir 2017
      • FOOC: Stars of Tamil Politics 2018
      • FOOC: Koreans in Chennai 2018
      • FOOC: Epitaph to Empire 2019
      • FOOC: Armenians in India 2019
      • FOOC: Lahore's Bradlaugh Hall 2020
      • FOOC: Chennai and the British Empire 2023
    • What's your favourite political song?
    • London Snapshots
  • Writing
    • Bibliography
    • Tramping Artisans
    • Working Class Housing in Jericho, Oxford
    • New Statesman
    • The Freethinker
    • Outlook
    • Asian Age
    • Indian Express
    • Fresh Garbage
    • miscellaneous writing
    • David Goodway contact and writings >
      • Goodway Libertarian Politics of G.K. Chesterton
  • Gallery
  • Contact