The set, the production, the performances - particularly of Samantha Spiro as the Communist matriarch Sarah Kahn (purportedly based on the author's activist aunt, Sara) - are spellbinding. It's the story, spread over twenty years, of the dissolution of a Jewish East End family, and the disillusion with the communism that they once shared. And the sharpness of the dialogue, often comic, is chicken soup for my soul.
The programme was - I've never come across this before - the play script. Remarkably good value for £3.
The play opens on October 4th 1936, the day of the 'battle' of Cable Street when communists and left-wingers stopped Mosley's fascists marching through London's then largely Jewish East End. The 75th anniversary of that landmark event will be marked later this year.
I hadn't quite appreciated how much political song there is in the opening scenes of 'Chicken Soup with Barley'. The 'Internationale' sung off stage. The household all signing Edward Carpenter's 'England Arise' - once the great English socialist anthem, but now distinctly obscure, so much so that I don't think I'd heard it sung in the flesh before. And there was another song I can't find anything about, with the chorus line of: 'For you are a worker too' - I can see why that didn't survive beyond the 1930s!

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